This addition to Final Cut Studio includes a slew of ways to view and adjust color beyond grading capabilities of Final Cut Pro, including with 3D scopes and flatter-looking levers. And while we like what we've seen of Adobe CS3's Device Central, Apple doesn't offer comparable previews of how movies will look on handheld gadgets.
3ds max studio 5.1 disc pro#
On the deluxe Mac Pro, we waited 35 minutes for Final Cut Pro to export a half-hour wedding video to MOV format at rinky-dink, 320x240 size, only to get a colossal 5GB file in the end. For instance, there's no estimate of the final file size when you're exporting a project even Sony Vegas offers that.
3ds max studio 5.1 disc software#
And professionals won't find built-in support for the widespread Sony V1U or JVC 60fps HDV cameras.Īpple is known for its elegant software and gadget designs, but we'd like Final Cut to be more intuitive both overall and in the fine details.
Of course, there's support for many next-generation cameras, but you'll have to pay for extra tools to hook up to legacy, non-Firewire cameras. AVCHD support has been added with version 2.0.1 updates, which can be found online. However, there is no support for Blu-ray. In theory, rather than needing a RAID drive to render a 13-minute video, for instance, you could get by with a 170GB drive and achieve results that look identical to the naked eye.įinal Cut Pro 6 supports industry-standard formats, including DV, HDV, XDCAM HD, and DVCPRO HD. But Apple's new ProRes 422 format makes it possible to pack high-definition work into the space that a standard-definition project would normally take up.
Editing software has only slowly caught up with the many high-definition cameras and formats.
3ds max studio 5.1 disc full#
In this era of transition, few people have DVD players and televisions that display high-definition footage in its full splendor. The SmoothCam feature is a godsend for stabilizing rocky footage that we couldn't have otherwise used without turning to other tools. (Just double-check the properties of the first clip you drag, as clips added subsequently will match its settings.) PAL, NTSC and MPEG content that we popped into the timeline scaled automatically. We were highly impressed by Final Cut's updates, such as the ease enabled by the new Open Format Timeline, which lets you drag and drop assorted layers of clips in varied formats into a project without any transcoding. Master Templates can help you add polish quickly to a project. The interface consists of multiple panels, including a file browser, timeline, canvas displaying the timeline, clip viewer, and tool palettes. This video-editing application is at the core of Final Cut Studio 2. And as with other complex applications, learning the keyboard shortcuts will pay off in the long run. For example, the labels of nested folders are tiny. You will need a spacious monitor-ideally two of them-to give your eyes a break. But we don't recommend that any newbie tackle Final Cut Studio without reading up on it first, as it's easy to make a mess out of a project by setting it up incorrectly from the get-go. And many tools are relatively intuitive, such as the scopes within Color. The look and feel of Final Cut Studio remains largely the same as in prior versions.įor professionals and longtime users, the multipane, task-based layouts shouldn't be a problem, especially with the workspace customizations as well as resizable, drag-and-drop feature modules.